Kate Power & Steve Einhorn: Buy
Kate Power & Steve Einhorn - CD Catalogue
Two lifetimes of music from Artichoke Folk... All
of our CD's are available for sale and your enjoyment. Thanks to CD
Baby for making it easy to find us and take us home, Oregon style!
Find out all about our albums below. Click "Music" to hear all of our songs and find our lyrics to sing along...
Find out all about our albums below. Click "Music" to hear all of our songs and find our lyrics to sing along...
Pearls: The Tribute Collection - CD
"Travis John" won the Grand Prize from "Music to
Life" at the 2006 Kerrville Folk Festival. The songs of Kate Power
& Steve Einhorn caught Garrison Keillor's attention and he invited
them to join "A Prairie Home Companion" when he came to Oregon.
"Pearls" is a favorite of the real grandfather of folk, Pete Seeger who
bought a bunch to share with his friends and says, "It's wonderful!"
The music of Kate Power & Steve Einhorn lands in the heart, takes
root and grows. It's good medicine.
"Pearls" was created commemorating their young neighbor with the
haunting "Travis John" and a dozen top songs from their popular
releases.
"Travis John" is dedicated to the memory of Corporal Travis John Bradach-Nall, one of the first young Oregonians to be killed in Iraq by a landmine. This song has attracted attention in local newspapers and television because of it's compelling words, music & story (see story below). The song is based on the true story of this young soldier killed while clearing land mines in Iraq. Along with "Travis John" leading the album, a dozen favorites from our other 4 albums follow this poignant piece.
Travis John Bradach-Nall lived in our neighborhood. He graduated in our son's high school class. He joined the marines for noble reasons. Travis was killed by a land mine in Iraq on July 2, 2003. He was 21 years old.
We are all connected in the fabric of life. When we heard of Travis' death, it felt like the death of one of our own. He joined the marines to be the best he could be in troubled times. The oldest boy in his family with his mother, Lynn and his brother, Nic, Travis had everything a parent could hope for in a son. It was terrible to lose him with his whole life still waiting for him.
Deep in the Wallowa Mountains of eastern Oregon I wrote this song. I was teaching at a writer's retreat with Steve. It was July 10, 2003. I remember because I'm one of eight children and that's my mother's birthday. I was feeling a strong sadness for Travis' and his family knowing that his memorial was being held back home in Portland that day. They said 7 limousines carried the members of his large family to the memorial. Playing on my banjo with the deer grazing near me outside the cabin where I taught songwriting at Fishtrap, a song started up in one direction but, as often happens, this song came out instead.
I felt then, and I still feel, that this song came from Travis, that it really is his song and it's sung in his voice. I just sang it out loud for him. It doesn't matter which side of the war you stand on, the loss left is just as deep for the ones who loved their young soldier. We give this song to Travis' mother, Lynn and his brother, Nic along with the rest of his kin who loved him and will miss him being here.
Steve and I recorded this song to lead a small collection of songs we've sung over the years and recorded on various albums. We recorded "Travis John" on August 3, 2003 at Billy Oskay's Big Red Studio in the Columbia Gorge. We wanted it on record so we could send it to radio stations and homes all around the country. We spent a day recording all of it, just Steve and me and Billy at the board.
The next time we saw Billy, he had a "spooky" story to tell us. Word had gone out about Travis' song and Travis' uncle called Billy to remind him that Travis had been on his crew and had actually helped him build "Big Red Studio" a few short years ago. Travis John's uncle was the foreman who built Billy's studio. Billy was stunned. He remembered Travis well; hammer in hand and a grin on his face. He was a good worker. Suddenly, more pieces came together; our communion with this song grew in another way we couldn't have predicted. Coming full circle we manifested his song in the studio Travis had helped to build.
We hope here that by releasing Travis John's song into the world, he will be remembered; for the difference he made, for the ones he loved and left behind, as well as the rest of us strangers who have come to know him in the wake of his young life.
"Travis John" is dedicated to the memory of Corporal Travis John Bradach-Nall, one of the first young Oregonians to be killed in Iraq by a landmine. This song has attracted attention in local newspapers and television because of it's compelling words, music & story (see story below). The song is based on the true story of this young soldier killed while clearing land mines in Iraq. Along with "Travis John" leading the album, a dozen favorites from our other 4 albums follow this poignant piece.
Travis John Bradach-Nall lived in our neighborhood. He graduated in our son's high school class. He joined the marines for noble reasons. Travis was killed by a land mine in Iraq on July 2, 2003. He was 21 years old.
We are all connected in the fabric of life. When we heard of Travis' death, it felt like the death of one of our own. He joined the marines to be the best he could be in troubled times. The oldest boy in his family with his mother, Lynn and his brother, Nic, Travis had everything a parent could hope for in a son. It was terrible to lose him with his whole life still waiting for him.
Deep in the Wallowa Mountains of eastern Oregon I wrote this song. I was teaching at a writer's retreat with Steve. It was July 10, 2003. I remember because I'm one of eight children and that's my mother's birthday. I was feeling a strong sadness for Travis' and his family knowing that his memorial was being held back home in Portland that day. They said 7 limousines carried the members of his large family to the memorial. Playing on my banjo with the deer grazing near me outside the cabin where I taught songwriting at Fishtrap, a song started up in one direction but, as often happens, this song came out instead.
I felt then, and I still feel, that this song came from Travis, that it really is his song and it's sung in his voice. I just sang it out loud for him. It doesn't matter which side of the war you stand on, the loss left is just as deep for the ones who loved their young soldier. We give this song to Travis' mother, Lynn and his brother, Nic along with the rest of his kin who loved him and will miss him being here.
Steve and I recorded this song to lead a small collection of songs we've sung over the years and recorded on various albums. We recorded "Travis John" on August 3, 2003 at Billy Oskay's Big Red Studio in the Columbia Gorge. We wanted it on record so we could send it to radio stations and homes all around the country. We spent a day recording all of it, just Steve and me and Billy at the board.
The next time we saw Billy, he had a "spooky" story to tell us. Word had gone out about Travis' song and Travis' uncle called Billy to remind him that Travis had been on his crew and had actually helped him build "Big Red Studio" a few short years ago. Travis John's uncle was the foreman who built Billy's studio. Billy was stunned. He remembered Travis well; hammer in hand and a grin on his face. He was a good worker. Suddenly, more pieces came together; our communion with this song grew in another way we couldn't have predicted. Coming full circle we manifested his song in the studio Travis had helped to build.
We hope here that by releasing Travis John's song into the world, he will be remembered; for the difference he made, for the ones he loved and left behind, as well as the rest of us strangers who have come to know him in the wake of his young life.
Dancing in the Kitchen - CD
Celtic to country, this romantic album has been
famous for getting people dancing in their kitchens and singing along.
The songs, Kate Power originals, have natural influences of her Celtic
ancestry, New England origins and western migration to the Pacific
Northwest. Covered by a variety of artists and included in Celtic
compilations from "Hearts O'Space", the songs are captivating,
well-crafted and beautifully delivered. Power's DADGAD guitar in duet
with Einhorn's fine guitar-picking and rich vocal harmony lays a rich
foundation for the great lick added by the premier players surrounding
the songs.
Featuring Harley James on pedal steel, Spud Siegel on mandolin, Dan Schulte on bass, Bill Rhoades on harmonica, Sylvia Hackathorn on penny whistle, some select pieces with Aidan Brennan on guitar & harmonies. Scottish fiddler & co-producer, Johnny Cunningham played on a few favorites, giving the album a beautiful finish on Nova Scotia, Sweet Air & Old Salt. Dar Williams made a special trip into the shop to let us know that this was her favorite album the year it came out! It's a good one.
Featuring Harley James on pedal steel, Spud Siegel on mandolin, Dan Schulte on bass, Bill Rhoades on harmonica, Sylvia Hackathorn on penny whistle, some select pieces with Aidan Brennan on guitar & harmonies. Scottish fiddler & co-producer, Johnny Cunningham played on a few favorites, giving the album a beautiful finish on Nova Scotia, Sweet Air & Old Salt. Dar Williams made a special trip into the shop to let us know that this was her favorite album the year it came out! It's a good one.
Harbour - CD
This debut collaboration of one of the most
dynamic songwriting duos in the Pacific Northwest delivers depth,
simplicity, gorgeous guitar work, beautiful harmonies and stunning
songwriting.
Recorded live in the studio and produced by Craig Carothers, this album is a longstanding favorite. For those who want to be moved by wonderfully original songs between two incredible artists in love, this is it. You'll not only hear it, you'll feel it ... and play it over and over again.
Recorded live in the studio and produced by Craig Carothers, this album is a longstanding favorite. For those who want to be moved by wonderfully original songs between two incredible artists in love, this is it. You'll not only hear it, you'll feel it ... and play it over and over again.
Now & Then - CD
The writing is beautiful, the pace upbeat, the
harmonies will make you swoon and the themes are classic Power &
Einhorn. This cd is likely to be in your rotation for a long time to
come. From Bayou to Celtic to pure Americana, Power & Einhorn pair
up in harmonic convergence stirring together good medicine to cure what
ails you.
Cast of Musicians: Kate Power: Vocals, DADGAD Guitar, Banjo, Bodhran Steve Einhorn: Vocals, Guitar, High-Strung Guitar, 6-string Banjo, Marv Drum, Zils Gregg Williams: Drums & Percussion Phil Baker: Bass Mark Spangler: Electric Guitar Harley James: Pedal Steel Mike Van Liew: Piano Courtney Von Drehle: Accordion on "Nothin' Doin" Brian Davis: Percussion on Oracle Lex Browning: Fiddle & Mandolin Dan Compton: Fiddle Mick Doherty Hammered Dulcimer Jim Walker: Accordion on "These Are My Mountains, Organ on "Killin' the Blues" Jim Chapman: Pennywhistlesw Jim Smith: Cello Jewel Shield: Harp Ken Einhorn: Sitar
Cast of Musicians: Kate Power: Vocals, DADGAD Guitar, Banjo, Bodhran Steve Einhorn: Vocals, Guitar, High-Strung Guitar, 6-string Banjo, Marv Drum, Zils Gregg Williams: Drums & Percussion Phil Baker: Bass Mark Spangler: Electric Guitar Harley James: Pedal Steel Mike Van Liew: Piano Courtney Von Drehle: Accordion on "Nothin' Doin" Brian Davis: Percussion on Oracle Lex Browning: Fiddle & Mandolin Dan Compton: Fiddle Mick Doherty Hammered Dulcimer Jim Walker: Accordion on "These Are My Mountains, Organ on "Killin' the Blues" Jim Chapman: Pennywhistlesw Jim Smith: Cello Jewel Shield: Harp Ken Einhorn: Sitar
Music to Life Compilation 2006 - CD
The songs of Music to Life top 10 finalists,
including grand-prize winner "Travis John" at the Kerrville Folk
Festival June 2006. Noel Paul Stookey's Public Domain Foundation
created Music to LIfe for songs promoting social change and honored the
memory of Cpl. Travis John Bradach-Nall by presenting the highest award
to "Travis John" by Kate Power (performed by Kate Power & Steve
Einhorn) with a win of $1000 for Adopt-a-Minefield in his memory.
Tales from Puddletown - CD
In the tradition of folk, Pete Seeger and Peter,
Paul & Mary, this selection of songs is designed for the enjoyment
of the parents as much as it is for the youngsters. These songs will
give you a melodious background to sing along to from morning to night,
tub to bed. Easy on the parents, fun for the kids.
From Power's old-time banjo tune, "Old Bullfrog" , Einhorn's animated "Candy Man" to the ancient Irish lullaby, "Castle of Dromore", Kate Power & Steve Einhorn bring original, traditional and ancient songs into your family's repertoire. Intelligent, warm, and full of imagery of the world around us, these songs make you want to sing, harmonize and dance.
Cast of Musicians: Kate Power: Vocals, DADGAD Guitar, 5-String Banjo Steve Einhorn: Vocals, Guitar, High-Strung Guitar, Ukulele, 6-String Banjo, Horn Lips Gregg Williams: Drums & Percussion Phil Baker: Bass Courtney Von Drehle: Accordion Harley James: Pedal Steel Mike Van Liew: Piano, Trumpet Lex Browning: Fiddle Dan Compton: Fiddle Mick Doherty: Hammered Dulcimer, Upright Bass "Old Bullfrog" Jim Chapman: Pennywhistles Brian Davis: Percussion on "Guabi, Guabi"
From Power's old-time banjo tune, "Old Bullfrog" , Einhorn's animated "Candy Man" to the ancient Irish lullaby, "Castle of Dromore", Kate Power & Steve Einhorn bring original, traditional and ancient songs into your family's repertoire. Intelligent, warm, and full of imagery of the world around us, these songs make you want to sing, harmonize and dance.
Cast of Musicians: Kate Power: Vocals, DADGAD Guitar, 5-String Banjo Steve Einhorn: Vocals, Guitar, High-Strung Guitar, Ukulele, 6-String Banjo, Horn Lips Gregg Williams: Drums & Percussion Phil Baker: Bass Courtney Von Drehle: Accordion Harley James: Pedal Steel Mike Van Liew: Piano, Trumpet Lex Browning: Fiddle Dan Compton: Fiddle Mick Doherty: Hammered Dulcimer, Upright Bass "Old Bullfrog" Jim Chapman: Pennywhistles Brian Davis: Percussion on "Guabi, Guabi"
Celtic Twilight 3: Lullabies - CD
Contemporary artists from Ireland, Scotland, and
the U.S. tap into the wellspring of Celtic tradition, while taking the
unique ambience of the Hearts of Space style to another level. On the
opening track, ARCADY's "John O'Dreams," the playful steps of BRENDAN
POWER's harmonica and NIAMH PARSONS' affectionate vocals are set
against a delightfully pastoral landscape of guitar, strings and
woodwinds. The lyric refrain, "All things are equal when the day is
done," breathes a hope-filled message to the world. The other ARCADY
track, "Lullabye," featuring a wonderful vocal performance by FRANCES
and MARY BLACK, supports the theme of reunication after periods of
sorrow.
Four songs, newly commissioned for Lullabies, will enthrall both Celtic enthusiasts and new listeners. KATE POWER's deliciously dusky voice and delicate guitar work showcase the evocative lyrics of Castle of Dromore. Similarly, the rened folk sensibility of JULIE LAST's original "Nightingale's Lullaby," and the gentle blend of synths and harp of BARBARA HIGBIE's "Asleep in My Arms," open a path to dream-lands. Finally, a new instrumental by Jeff Johnson and BRIAN DUNNING, "All Through The Night," joins ambient strains and Celtic visions, with definite soundtrack appeal.
Four songs, newly commissioned for Lullabies, will enthrall both Celtic enthusiasts and new listeners. KATE POWER's deliciously dusky voice and delicate guitar work showcase the evocative lyrics of Castle of Dromore. Similarly, the rened folk sensibility of JULIE LAST's original "Nightingale's Lullaby," and the gentle blend of synths and harp of BARBARA HIGBIE's "Asleep in My Arms," open a path to dream-lands. Finally, a new instrumental by Jeff Johnson and BRIAN DUNNING, "All Through The Night," joins ambient strains and Celtic visions, with definite soundtrack appeal.
Celtic Twilight 4: Celtic Planet - CD
Like its predecessor Lullabies, Celtic Twilight 4:
CelticPlanet is an inspiring concentration of Celtic sound, with the
Hearts of Space nod to the global community, and energizing forum for
creative artists. A featured track, SHEILA CHANDRA's "Lament of
McCrimmon/Song ofthe Banshee", brings to mind Baaba Maal's "Call to
Prayer" and other mystical hymns by her Real World labelmates at its
inception but unfolds to reveal a Celtic lament, complete with
Chandra's ever-mysterious vocals.
Following notes across fading borders, Dubliner Declan Masterson's "Spanish Point" serves as a reminder of the Celtic outpost in Spain. The delicate interplay of flamenco guitar and whistles moves past nostalgia to an ancient, common longing. CARLOS NUNEZ's "Two Shores" is even more Latin, but with flauta standing out in the breezy mix. The track also features the stylized-guitar and mandolin work of RY COODER.
The Pacific Northwest is another Celtic bastion and a home to folkster KATE POWER and harp guitarist JOHN DOAN, whose respective tracks "Wild Wind" and "Where Horses of Faery Hide" are expertly produced by Nightnoise's BILLY OSKAY. Power's rich, well-articulated vocals on the chorus, "Oh Wild Wind, won't you blow and carry me to my love," enhances the need for love and unity. Doan's track is a wistful journey througha mythic space, cymbal washing in heroic parades and whistling the commencements.
Following notes across fading borders, Dubliner Declan Masterson's "Spanish Point" serves as a reminder of the Celtic outpost in Spain. The delicate interplay of flamenco guitar and whistles moves past nostalgia to an ancient, common longing. CARLOS NUNEZ's "Two Shores" is even more Latin, but with flauta standing out in the breezy mix. The track also features the stylized-guitar and mandolin work of RY COODER.
The Pacific Northwest is another Celtic bastion and a home to folkster KATE POWER and harp guitarist JOHN DOAN, whose respective tracks "Wild Wind" and "Where Horses of Faery Hide" are expertly produced by Nightnoise's BILLY OSKAY. Power's rich, well-articulated vocals on the chorus, "Oh Wild Wind, won't you blow and carry me to my love," enhances the need for love and unity. Doan's track is a wistful journey througha mythic space, cymbal washing in heroic parades and whistling the commencements.